The Blog Hop Tour

Ten Questions for “The Next Big Thing”

A lot of my author friends have been doing the “Blog Hop” tour, in which we all answer the same set of questions about our newest (or future) releases. My thanks to award-winning suspense novelist James L. Rubart, author of Rooms, The Chair, and Soul’s Gate for pointing the way to my blog.

Thanks, also, to Dorothy Love, author of fine Southern historical fiction, for linking to this page. Dorothy is the author of the Hickory Ridge series, including Beauty for Ashes and Every Perfect Gift.

1. What is the working title of your book?

Actually, I want to talk about a series, not just one book. My Timebenders series, first published in 2002, has just been completely revised and updated, with Books 3 and 4 debuting on Christmas Day 2012. Plus, I am currently writing a brand-new book in the series with the working title War of the Electronic Brain.

The first four books in the series are Book 1: Battle before Time, Book 2: Doorway to Doom, Book 3: Invasion of the Time Troopers, and Book 4: Lost in Cydonia. These books are for middle grade readers, ages 9 to 14.

2. Where did the idea come from for the book?

The idea for the Timebenders series came from my son, who was a kindergartner at the time (he’s now working on his master’s degree!). One day, he came to me and said, “Daddy, would you write a book with me?” I said, “Sure. What kind of book should we write?” He said, “I want to write a book about a time machine and dinosaurs.”

So we started working and we wrote a little each day for a week or two, then we forgot about it for a while. A few years later, I took a fresh look at the pages we had written, and I decided to finish the book. That first book was Battle Before Time, and the publisher asked me to write three more. Last year, I got the rights back from the original publisher, and I updated and rewrote the books, and Greenbrier Books has reissued them with stunning new covers.

3. What genre does your book fall under?

The Timebenders series is science fantasy for young readers. I deliberately chose titles that would have a campy, pulp-science-fiction feel.

I honestly can’t remember a time when I wasn’t a science fiction fan. When I was five years old, my favorite TV show was a space opera called Space Patrol. It had spacemen in space suits with fishbowl helmets spouting dialogue like “Smoking rockets! A cosmic storm!” And my favorite cartoon at that age was Popeye, the Ace of Space, in which Popeye battles space aliens on Mars.

In elementary school, I searched for science fiction books in the school library, and was ecstatic when I discovered A Wrinkle in Time by Madeleine L’Engle on the “new arrivals” shelf. I was only nine, but the scientific concepts and appealing characters captured my imagination. (I wrote about the impact of that book on my life in a recent op-ed piece.)

4. Which actors would you choose to play your characters in a movie rendition?

My protagonists in the Timbenders series are in their early teens. To play Max McCrane, I’d cast Zach Mills of Super 8 fame (with round-lensed eyeglasses, Zach is Max). The perfect Allie O’Dell would be another Super 8 alum, Elle Fanning (with the addition of red hair and braces). C. J. Sanders, who played a young Ray Charles in Ray, would be well cast as Grady Stubblefield. For villainy, either Max von Sydow or Christopher Plummer would make an excellent Dr. Delyrius, the evil alchemist in Doorway to Doom.

5. What is the one-sentence synopsis of your book?

Here’s Book 1: Battle Before Time in one sentence:

“Boy inventor Max McCrane turns a rusty orange Volkswagen into a time machine and takes three friends across time and space to battle a deadly dragon in a place before time began.”

Here’s Book 2: Doorway to Doom:

“Max and friends go back in time to an ancient kingdom ruled by evil King Wyvern and Max must either serve the king or doom his friends to a horrible fate.”

Here’s Book 3: Invasion of the Time Troopers:

“Max McCrane is hijacked into the past by scheming Luna Skyes, and his friends are chased through time by robot warriors of the fourth dimension, the Time Troopers.”

Here’s Book 4: Lost in Cydonia:

“A frightening miscalculation sends Max and friends to Mars, where they encounter an ancient secret guarded by strange blue-skinned creatures, the Timelings.”

Here’s Book 5: (working title of work-in-progress) War of the Electronic Brain

“Max and friends go back in time to Los Angeles in 1942, and must foil a plot to attack America and change the outcome of World War II.”

6. Will your book be self-published or represented by an agency?

Agency.

7. How long did it take you to write the first draft of your manuscript?

My first four Timebenders books were each first-drafted in about six to eight weeks (each is about 45,000 words long). Once the first draft is written, there’s a lot more work to do—additional drafts, substantive editing, copyediting, first proofs, and second proofs.

8. What other books would you compare this story to within your genre?

I set out to write the kind of books I enjoyed when I was a boy—a wild roller coaster ride through time and space. I wanted my readers to have the same experience I had when I was a boy reading A Wrinkle in Time, The Martian Chronicles, and The Weirdstone of Brisingamen.

As time travel fiction, the Timebenders tales are part of a literary tradition going back to Washington Irving, H. G. Wells, and Mark Twain’s A Connecticut Yankee in King Arthur’s Court. There’s even an echo of Dickens’ A Christmas Carol in Lost in Cydonia.

And, of course, there’s a great tradition of adult time travel literature that I’ve enjoyed over the years—classic short stories such as Robert Heinlein’s “All You Zombies—” and “By His Bootstraps,” Ray Bradbury’s “A Sound of Thunder,” C. L. Moore and Henry Kuttner’s “Vintage Season,” and Harlan Ellison’s “Soldier,” to name a few. Great time travel novels include Poul Anderson’s Time Patrol series, Gordon R. Dickson’s Time Storm, Terry Pratchett’s Thief of Time, David Gerrold’s The Man Who Folded Himself, and Audrey Niffenegger’s The Time Traveler’s Wife.

9. Who or what inspired you to write this book?

My son, who was in kindergarten at the time, inspired the Timebenders series. That’s why the first book in the series is dedicated to him.

10. What else about your book might pique the reader’s interest?

I vividly recall the writing process of the first four Timebenders books, especially Book 2: Doorway to Doom. I was a couple of chapters into the second book when we were attacked on 9/11. At first, the horror of that event disrupted my creative flow. At that time, some of my writer friends actually stopped writing for a few weeks. I had a tight deadline, so I had to keep writing. I wrote with the cable TV news blaring in the background, so I could keep an ear open for news developments.

As I wrote, I kept coming up with new ideas, including a new ending for the book. Later, I realized that most of those new ideas had to do with darkness. My mood was dark, and it showed in the writing. I added a scene where Max, my protagonist, was tossed into a dungeon by the villain, Dr. Delyrius. I added another scene involving Max’s friend, Allie, threading her way through an underground maze by torchlight.

Even though the scenes dealt with darkness, they demonstrated the light of faith, hope, and courage. A number of readers have written to say that those scenes are their favorite passages in the whole series.

I recently gave an extensive interview that provides more background on the writing of the Timebenders series. You can read it at Random Writing Rants.

Thanks for stopping by on the Blog Hop Tour. Check out the Blog Hop interviews by these fine authors:

Southern historical writer Dorothy Love (author of Beauty for Ashes)

Fantasy novelist Jill Williamson (author of By Darkness Hid)

Science fiction writer Steve Rzasa (author of The Word Reclaimed)

50 Years of Wonder: ‘A Wrinkle in Time’

A Wrinkle in TimeIn September 1962—fifty years ago this month—my third-grade class filed into the school library in search of adventure. I found mine almost immediately—a book called A Wrinkle in Time by Madeleine L’Engle. In my new opinion piece at FoxNews.com, I recall the profound impact this one book had on my life and career. I hope you’ll read it and let me know what you think. —Jim Denney

On Writing for Children

Here are a few of my favorite quotations about reading and writing literature for children:

“You must write the book that wants to be written. If the book will be too difficult for grownups, you write it for children.”
—Madeleine L’Engle

“When I was young I longed to write a great novel that should win me fame. Now that I am getting old my first book is written to amuse children. For aside from my evident inability to do anything ‘great,’ I have learned to regard fame as a will-o-the-wisp which, when caught, is not worth the possession; but to please a child is a sweet and lovely thing that warms one’s heart and brings its own reward.”
—L. Frank Baum

“There is more treasure in books than in all the pirate’s loot on Treasure Island.”
Walt Disney

“It is usual to speak in a playfully apologetic tone about one’s adult enjoyment of what are called ‘children’s books.’ I think the convention a silly one. No book is really worth reading at the age of ten which is not equally (and often far more) worth reading at the age of fifty—except, of course, books of information. The only imaginative works we ought to grow out of are those which it would have been better not to have read at all. A mature palate will probably not much care for crème de menthe: but it ought still to enjoy bread and butter and honey.”
—C. S. Lewis

“I love letters from little kids. Adults never proclaim themselves ‘your number one fan!'”
Lauren Baratz-Logsted

“The only lastingly important form of writing is writing for children. It is writing that is carried in the reader’s heart for a lifetime; it is writing that speaks to the future.”
Sonya Hartnett

“Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.”
G. K. Chesterton

“The tale is often wiser than the teller.”
Susan Fletcher

“We must meet children as equals in that area of our nature where we are their equals. . . . The child as reader is neither to be patronized nor idolized: we talk to him as man to man.”
C. S. Lewis

“You must write for children the same way you write for adults, only better.”
Maxim Gorky

“I believe that good questions are more important than answers, and the best children’s books ask questions, and make the readers ask questions. And every new question is going to disturb someone’s universe.”
Madeleine L’Engle

“It is not enough to simply teach children to read; we have to give them something worth reading. Something that will stretch their imaginations-something that will help them make sense of their own lives and encourage them to reach out toward people whose lives are quite different from their own.”
Katherine Patterson

“In our time, when the literature for adults is deteriorating, good books for children are the only hope, the only refuge.”
Isaac Bashevis Singer

“Children’s literature must build a bridge between the colorful dream world full of fantasy and illusion, and a tougher real world full of twists and turns. The child armed with the torch of knowledge, awareness and guidance must cross this bridge and set foot to the intense harshness of the bigger world.”
Samad Behrangi

“Most children won’t remember an author’s name, but they remember a good story.”
Amy Timberlake

“There have been great societies that did not use the wheel, but there have been no societies that did not tell stories.”
Ursula K. LeGuin

“First rule of writing: When still a child, make sure you read a lot of books. Spend more time doing this than anything else.”
Zadie Smith

“Imagination has brought mankind through the Dark Ages to its present state of civilization. . . . Imagination has given us the steam engine, the telephone, the talking-machine, and the automobile, for these things had to be dreamed of before they became realities. So I believe that dreams—daydreams, you know, with your eyes wide open and your brain machinery whizzing—are likely to lead to the betterment of the world. The imaginative child will become the imaginative man or woman most apt to invent, and therefore to foster, civilization.”
L. Frank Baum

“There are many little ways to enlarge your child’s world. Love of books is the best of all.”
Jacqueline Kennedy

“Good writing is difficult no matter what the reader’s age—and children deserve the best.”
Aaron Shepard

“Some people argue that life is not always pleasant and that children’s books should reflect reality. Others feel that young people should be protected from the disagreeable side of life, and have their innocence left unsullied for as long as possible. Both of these views are to some degree didactic and neither takes into account young readers’ right to make their own decisions about what they read, to make choices about what interests them, and to seek out books that will help them make sense of their worlds.”
Prue Goodwin

“Don’t you think it’s rather nice to think that we’re in a book that God’s writing? If I were writing the book, I might make mistakes. But God knows how to make the story end just right—in the way that’s best for us.”
E. Nesbit

“Edgar Rice Burroughs never would have looked upon himself as a social mover and shaker with social obligations. But as it turns out—and I love to say it because it upsets everyone terribly—Burroughs is probably the most influential writer in the entire history of the world. By giving romance and adventure to a whole generation of boys, Burroughs caused them to go out and decide to become special. That’s what we have to do for everyone, give the gift of life with our books. Say to a girl or boy at age ten, ‘Hey, life is fun! Grow tall!’ I’ve talked to more biochemists and more astronomers and technologists in various fields, who, when they were ten years old, fell in love with John Carter and Tarzan and decided to become something romantic. Burroughs put us on the moon. . . . The need for romance is constant, and again, it’s pooh-poohed by intellectuals. As a result they’re going to stunt their kids. You can’t kill a dream. Social obligation has to come from living with some sense of style, high adventure, and romance.”
Ray Bradbury

“I’ve never written for kids. I’m just trying to tap into the kid in myself and just go with my taste.”
Andrew Stanton, screenwriter, Finding Nemo and WALL-E

Science Fiction and Fantasy Quotations About TIME

Time exists so that everything doesn’t happen at once.
—MADELEINE L’ENGLE, An Acceptable Time

Three in the morning, the soul’s midnight.
—RAY BRADBURY, From the Dust Returned

The By-Laws of Time
Never Do Yesterday What Should Be Done Tomorrow.
If At Last You Do Succeed, Never Try Again.
A Stitch In Time Saves Nine Billion.
A Paradox May Be Paradoctored.
It Is Earlier When You Think.
Ancestors Are Just People.
Even Jove Nods.
—ROBERT A. HEINLEIN, “All You Zombies—”

“Do not look so sad. We shall meet soon again.”
“Please, Aslan,” said Lucy, “what do you call soon?”
“I call all times soon,” said Aslan; and instantly he was vanished away.
—C. S. LEWIS, The Voyage of the Dawn Treader

For the future to touch the past can be dangerous. It could cause a paradox.
—MADELEINE L’ENGLE, Many Waters

Time rushes through us as we rush through time.
—RICHARD GRANT, “Drode’s Equations”

If there’s something you want to do, somewhere you want to go, then you’d better start the doing and the going. You’d better start using the time that’s left in you, because you can’t stop it from running out. You can stop water from running out of a tub by putting the plug back in, but there isn’t any plug that can stop time from running out of you.
—FREDRIC BROWN, The Lights in the Sky are Stars

To those who live in time, sequency is the norm.
—URSULA K. LE GUIN, “The Shobies’ Story”

Darkness swallows time.
—MICHAEL BISHOP, “A Gift from the Gray Landers”

But there is something about Time. The sun rises and sets. The stars swing slowly across the sky and fade. Clouds fill with rain and snow, empty themselves, and fill again. The moon is born, and dies, and is reborn. Around millions of clocks swing hour hands, and minute hands, and second hands. Around goes the continual circle of the notes of the scale. Around goes the circle of night and day, the circle of weeks forever revolving, and of months, and of years.
—MADELEINE L’ENGLE, The Small Rain

Fifty Years of ‘A Wrinkle in Time’

Original 1962 edition of
A Wrinkle in Time

Half a century ago this year, my nine-year-old soul was impacted by a brand-new book called A Wrinkle in Time. At that tender age, I was already a devoted science-fiction fan, starved for books to read. (I got hooked on SF at age five while watching black-and-white TV space operas like Space Patrol and Tom Corbett—Space Cadet.)

I still remember seeing A Wrinkle in Time standing upright on the “new arrivals” shelf at my elementary school library. The cover illustration—three silhouetted children inside of radiating concentric circles—attracted my attention and the intriguing title pinned my imagination to the wall.

I checked the book out, took it home, and got lost in it. I’ve re-read the book many times since. I remember being impressed by the way L’Engle seamlessly wove science and religious themes throughout the story.

A Wrinkle in Time contains many biblical quotations and allusions. For example, the beings of the planet Uriel sing lines that echo passages from Isaiah and the Psalms, and the character Aunt Beast quotes from Paul’s Roman epistle. The angelic Mrs. Who quotes Paul the Apostle’s words from his first letter to the Corinthians—words I adopted many years later as a central theme of my Timebenders series:

But God chose the foolish things of the world to shame the wise; God chose the weak things of the world to shame the strong. God chose the lowly things of this world and the despised things—and the things that are not—to nullify the things that are (1 Corinthians 1:27-28 NIV).

The spiritual warfare theme of good versus evil, light versus darkness, in A Wrinkle in Time is more than just a matter of dramatic conflict. It mirrors the spiritual struggle that all believers understand—a struggle against hidden authorities, not flesh and blood. The book calls the reader to reject neutrality and join the cosmic conflict in the real world.

A Wrinkle in Time also introduced my young mind to the concept of paradoxes, which are commonly found in both the world of physics and the world of faith. I would define a paradox as a statement or condition that contradicts logic and reason but which is true nonetheless. For example, experimental physics shows that light is both a particle and a wave, even though logically this cannot be true. Rationally, light must be either a particle or a wave, not both. Yet it is both. (See http://en.wikipedia.org/wiki/Double-slit_experiment.)

Animation of a tesseract.

One of the paradoxical concepts Madeleine L’Engle wrote about in A Wrinkle in Time is the five-dimensional tesseract—also known as a hypercube, a geometric construct that exists in four dimensions of space and one dimension of time. L’Engle uses the tesseract as a device for “warping” space and allowing travel across the universe without being restricted by the speed of light.

L’Engle paid a price for including such advanced concepts of both faith and physics in A Wrinkle in Time. The manuscript was rejected twenty-six times before she found a publisher, and one of the criticisms she heard again and again from editors was that young readers would be turned off by these advanced scientific concepts. But she persevered, found a publisher—and was vindicated by her readers.

Ideas like the tesseract were heady concepts for my nine-year-old mind, and I eagerly absorbed them, thought about them, and wondered how much of it was true. Concepts many editors condemned as “too advanced” for young readers were, for me, the essence of its appeal. And when I began writing my Timebenders series in 2001, I was encouraged by L’Engle’s bold ideas to include some challenging concepts of my own. And my editors, to their credit, didn’t raise an objection and tell me I had to “talk down” to young readers.  

I believe one of the many reasons I embrace both science and the Christian faith today is because of the influence, fifty years ago, of A Wrinkle in Time. If you’ve never experienced A Wrinkle in Time, now would be a good time to discover it. If you enjoy the book as I do, maybe it’s time to read it again.